Sunday, June 12, 2016

The Exhibition

After 6 months of hard work, challenges, set backs, crisis and wonderment, the exhibition opened at Studio Gallery 1311. The reception was an absolutely great time. I got to share stories, reminisce, critique, and catch up with friends, family, and new faces. Finally, my stack of new paintings were framed and on the wall. It's hard to believe the day finally came and I could share the work and experiences.

Thank you to everyone who showed up for the reception. It was amazing, and my family really went above and beyond by making food and setting up an amazing event. It was a whirlwind, but I was able to snap a few pics from the night.  The exhibition will be open until July 16, so there is plenty of time to stop in and catch it.

I will also be having a figurative oil painting workshop the final weekend of the exhibition. If you are interested, call, text, email or Facebook message me for ore information.

Here are a few pics from last night. For more pics of the night, Dave from Studio Gallery 1311 has an album on his flickr page.


Just as the show kicks off. After this, things became a bit hectic for me!


Baby Tuna


Some Boku and a carabao


Three young Tagbanua boys and a coy young woman.





An elderly Tagbanua woman carrying jugs of water from the river back home. 



The adorably coy Abeng, who sat for me for a drawing demonstration just before watching from her doorway as we left the village. 


On the path out of Yayabu, we came across this young boy with his fresh picked flowers and a freshly killed bird.


Sunrise on the Sulu Sea


Fish from the wet market.


A farm in rural Aborlan, the area where we spent a great deal of our trip.


Sunrise over the rocks at Toby and Thelma's 


An elder in the Batak village of Timbuan.


More wet market fish.


A young man lashing balsa (bamboo) for a raft.


Wednesday, January 13, 2016

Travelogue Begins

My trip to the Philippines has begun! Since so many people helped make this possible, I thought I'd keep a travelogue throughout, documenting my experience, the artwork I create and the people and places I see. 

I figure a good first post is to talk about the gear I packed for the trip. I made a few grids that illustrate my thinking behind what and how I packed. As this is a work trip, my art supplies are most important. I first gathered everything I'd need to paint, draw and sketch while abroad. When I was in Brazil, I found that my sketchbook got the most time, and I filled an entire moleskin and burned through all the ink I brought with.  I had packed gouache to paint with but only got a couple small sketches started. This time around I'll be painting en plein air, as they say. I've got so many heroes that just kill it at painting outdoors on location, so I have a high bar to match. Just take a look at Ken DeWaard's wizardry. 

When painting in the studio, I have quite a lot of gear to choose from that I have amassed over years painting. Tons of colors of paint, cans and cans of brushes (some still usable), oils, alkyds and gels of every make and viscosity, and numerous different surfaces depending on the size and dimensions I fancy. 

On this trip, I will have to carry everything I want to use. Plein air painters are masters of packing lightly yet wisely. I am not. But I have gradually developed a kit that's minimal and full-featured after painting at figure sessions over the years. 

Everything else I brought along is secondary. Aside from maybe my contact lenses and glasses. So below I'll show what gear I packed, and then I'll explain a few of the choices I made and items I brought. I didn't manage to get the images numbered so you'll have to do a bit of deduction. 

Art Gear

:


Oil paint
Camera and lenses
Watercolor kit
Charcoal drawing kit
Charcoal pencils
Drawing pencils
Automatic pencils
Bic pen
Brush pens
Pilot Parallel*
White out pen
Pilot Precise (the pen to rule them all)
Razor blades for scraping my palette
Liquin, a nice painting medium that looks like shampoo
Turp jar
Water jar
Ink refills for Parallel pen
Clamps for my canvas board
Brushes (in a tube I whipped up)
Canvas*
Paper towels
Five sketchbooks:
- Watercolor moleskine
- Already started sketchbook.
- Trip specific sketchbook
- x2
- Pocket sketchbook because everyone should have one at all times. This doubles as my wallet, scratch paper, sketchbook, business cards, ledger, and passport case
Composing device, looking through it   
turns your view into a paint by number. I was too cheap to buy one so I made it out of mat board and duct tape. 
Panel, I'll tape my canvas to this. 
Tape
Paintbox and Tripod 
The backpack that will hold all of this gear

Notes:
I primarily use the parallel pen for loose gestural sketching, whether I'm at home, on the train or traveling. Since it's made to be a calligraphy pens, I can get a lot of various line weights and qualities out of it in order to quickly capture different values and shapes. When using this I keep my approach very relaxed and lyrical, not concerning myself too much with capturing exact likeness or proportion, instead focusing on gestures and overall impressions and composing my values  and other elements using, hopefully, graceful and expressive line work. 

Rolls of canvas in various widths. I can just cut off pieces as I need them. Loose canvas will save a ton of space and weight over canvas panels, and I can mount them when I get back to the studio. 


Clothing

Here is all of the clothing related gear I packed for my just-over-three-weeks of travel. Of course, I needed to pack light while being prepared for a variety of activities. 

Running shoes for walking and trekking
Espadrilles for when I need something light and breezy
Pants x 2
Shorts x 4
Rain jacket
Swim trunks
T shirts and tank tops
Long sleeve T and light button ups, because my flesh combusts when exposed to direct sunlight
Grundies
Socks (not pictured: more socks)
Polo for looking classy
Sweats for looking not
Hats, because of the skin on my face
Shades for looking chill and for just looking
Belt
Mosquito net, same reason as the polo
Pencil sharpener
Timepiece for looking deece
Backpack. An Eagle Creek backpack I bought for my first backpacking trip to France, Germany and Ireland in 2001. It's been on almost every single trip I've taken since then, including New York, San Francisco, the American southwest, Montana and the Rockies, Ireland, Ireland again, and Ireland a few more times. The company has long since changed the design of the bags and if I ever have to find a new bag it will be tough to match this one. It has a big kangaroo pouch on the back for attaching a day pack. Not the most ultralight solution to be sure, but since the daypack is now used for carrying mostly sand and dirt but also the rest of my dog's outside toys, I just cram extra stuff or dirty clothes into the pouch and strap it shut. 


Travel Gear

It is easy for me to go overboard on the random miscellany of travel items that seem necessary when I'm pulling them out of some dusty cabinet corner or long forgotten box in the closet. This is what I pared it down to:



First aid kit, basically just band aids and super glue
Toiletries kit, including standard stuff like teethbrush, contacts, glasses, deodorant, etc. I also took spare contact lens cases and filled them with things I might only need a limited amount of, for instance pills, hair product, and lotion. 
Paracord
iPhone 10s
Lifeproof case, which my sister advised me floats 
Headlamp
Multitool
Brightest damn flashlight I've ever seen
Extra phone battery
Wet wipes
Tissue® Brand kleenexes
Butts bees, and I'm leaving that autocorrection
Dry bag
Airplane pillow contraption
ZipLike bags
Sewing kit
Spare nuts and bolts
Emergency guitar picks and capo for emergency serenading 
Carabiners in case I need to bring my keys into a hip establishment, also for hanging my bag on my tripod for added stability
iPhone charger
GoPro Hero4, courtesy of trip sponsors Dan "The Danimal" Hoffman and Kara "the Karadactyl" "Hoffman" Duckett
Super Sunscreen, since I couldn't find any theater greasepaint at the last minute. Even Super-er sunscreen imported from some Saharan nation. Gotta keep the skin unexploded. Seriously though, I burn very easily and since I anticipate a good amount of standing in the sun and swimming, I have to stay protected. On a related note, does anyone know how to remove sunscreen smell from clothes?
My airplane-ready liquids
Saline solution
Toothpick
Spare fluffy toilet paper for a lap of luxury
A little terry cloth Irish flag my mom gave me before my first trip abroad. It's gone with me on every single trip since. 

Finally, all of the above packed into two backpacks. This is what I will be carrying with me for three weeks in the Philippines. One bag weighs 32 lbs, the other weighs 20. The smaller one will get lighter though, as I will pack it with only essential gear for that day's painting and leave the rest behind.



I can't wait to put this gear through the ringer and figure out what works, what doesn't, and what was unnecessary.  Have any critiques or tips? I'd love to hear them. 










Saturday, December 26, 2015

Art Sale!

I am traveling to the Philippines in just a couple weeks now, so I thought I would drop the prices on some paintings I have around the studio to try to raise some much-needed travel money. If you've ever been interested in my work, now would be the time to jump on board and make my year before it even starts!

There are a number of small paintings and few larger ones mixed in. These prices are super low and won't be this low again. Free shipping on all these paintings, and I might even entertain some offers on some on the larger pieces.

To purchase a painting you can message me through Facebook or email me at artsale@mattduckett.com.  Thank you for taking a look!




Too Hot to Handle
14" x 18"
$1,200
Last Night's Fun
16" x 12"
SOLD

Arya
10" x 8"
$200
Framed
Lock
24" x 16"
$900
Framed

Analogue Study
10" x 8"
$350
The Buskers
24" x 36"
SOLD





The Chicago
24" x 42.5"
$4,500
Framed


The Call
20" x 16"
SOLD

Mason
10" x 8"
$300
Last Chords
18" x 14"
$500

Winter Analogue
14" x 18"
$500


Fiddler No. 8
10" x 8"
$100
Lullaby Blue
8" x 10"
$150


Fidil Corcra
10" x 8"
SOLD
Harp Study
10" x 8"
$100


Girl in Grey
24" x 18"
$500
Girl in Grey II
24" x 18"
$500



Brit
16" x 12"
$200





Out Back
12" x 16"
$500



Kingslayer
10" x 8"
$100
Scarlet Lady
10" x 8"
$100


Onion Knight
10" x 8"
$100
The Viper
10" x 8"
$100

























The Morning Window
30" x 20"
$900




Elci
16" x 12"
$195
October Pumpkins
12" x 16"
$475

























The Underpainting
Featured in Fine Art Connoisseur
16" x 12"
$750






Sunday, July 6, 2014

First Annual Artspire La Crosse

I got to go back home to La Crosse last weekend to participate in the first annual ARTSPIRE. The event had a number of artists exhibiting as well as multiple stages, food trucks and they even unveiled a mural by internationally renowned muralist John Pugh. I was very honored to receive the show's top award, the Juror's Choice. The award came with a $1,000 dollar prize. Very generous for a first yeat show! It made the two days of scrambling to buy discount plywood, building a booth from scratch, and framing a tentful of artwork worth it. During the next week, I had the privilege to be asked by Mr. Pugh to help with the final stages of the mural. In all it was a very busy and eventful week, and it was great to be back home with friends and family.